Writing – A(nother) Year of Reading

Slice of Life: Bystander

*Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.*

It’s like riding your bike up the street past the high school towards the swimming pool and seeing the parking lot full of cars. Which is odd, because there’s usually like three cars — just the high school lifeguards who get there early to check the chemicals and maybe vacuum some of the gravel out of the bottom of the pool after last night’s thunderstorm. Rescue a few critters and skim a bunch of crickets before the summer swim team practices.

It’s like walking up to the breezeway that’s usually silent and dark with only the bright blue of the pool on the other end to light it up and finding it buzzing with activity and the pool divided up with lane lines and decorated above with plastic banners and -bang!- there’s a starter’s gun and splashing and cheering and…

It’s like everybody else knew there was a swim meet today and you are just showing up for a regular practice.

That’s what it feels like to be tiptoeing in here on the fifth day of your big month-long swim meet of writing. I’ll just stand here in the shade by the clerk of the course while you all find your lanes and swim with your strongest strokes and team up for the relays. I’ll cheer you on and bring you bunches of cold green grapes to give you energy.

Happy March Slicing Challenge, all! May you make it to the finish line without your goggles ever fogging up!

Slice of Life: Voice

I just finished Lisa Congdon’s 30-day challenge “Developing Your Visual Vocabulary: A Daily Practice in Mark Making” on CreativeBug.

She dropped a lot of big wisdom throughout the course.

This wisdom can inform mark making with colored pencils, watercolor, thread, or words on a page: the importance of practice, the acceptance (or even cultivation) of wonkiness (she used the word “wonky” a LOT and it made me love her even more every time), and the development of your own particular VOICE.

Throughout the course, I’ve often copied her lesson and then “riffed” on it by trying it with watercolor instead of colored pencil, or by combining lessons when I didn’t have the energy for a whole-page design.

Last night, I pulled out my watercolors and doodled. It was blobs of color with a stack of brush marks down the center. It was a journal entry of random “thoughts” made with marks rather than words. I knew I could do more with it, but I set it aside, as I often do with the entries in my writer’s notebook.

This morning, in Lisa’s final lesson, she invited us to “go big” on the biggest piece of paper we had using all the marks she had taught us. She modeled how she would set up her paper for an arial-view landscape, and then in time lapse, we watched her fill the whole page, first with watercolor in each section, and then with marks.

I opened my sketchbook to my blobs of watercolor from last night, and suddenly I could see a village in a valley across the road from mountains with wheat fields and high pastures tucked in between. Without looking back at any of the previous lessons, I chose my colors and made my marks.

There are such beautiful echoes between what happens in my writer’s notebook, my sketchbook, and the scraps of cloth where I test different threads and stitches — my “scrappy stitch book.” I’m glad I’ve taken the opportunity to slow down and listen to my own voice.

The Power of Choice

Last week, I took part in the @textileartsite (textileartist.org) #StitchCamp. I learned to use paint on fabric, cut apart and recombine bits of painted fabric, and add all kinds of stitching to blend the pieces into a unified whole.

Then, on the day when the final video dropped, I lost interest. I finally had a big block of time and I wanted nothing more than to dig into the servicing of my (formerly my mom’s) Singer Featherweight sewing machine.

At first, I was hard on myself for not finishing what I’d started. But then I reminded myself that #StitchCamp was not the boss of me. In fact, as the week progressed, I had realized that #StitchCamp was actually a very slick marketing tool to get me to sign up for #StitchClub. For the low-low price of $38/month I could learn from fabric artists around the world! And yes, I was tempted. But “Look what you can create in just 30 minutes a day for a week! Imagine the amazing artist you will become if you take our classes!” gradually morphed in my mind into “You’re going to PAY someone else to steal time away from the projects YOU choose to do? Are you NUTS?”

Needless to say, I’m not signing up for #StitchClub. I’m going to follow my own path of learning, most of which won’t cost me a dime. I’ve got a quilt to make and another to repair. There’s a jean jacket yoke to finish embroidering and hoop that’s a playground when I just need to drop some random stitches or some beads and sequins. And yes, I’m going to finish the scrap I made in #StitchClub and use it to embellish a canvas bag that I’ll donate to the Casting for Recovery Ohio online auction in March. Stay tuned for the final product and information about bidding!

These lessons about choice are ones I’ve already internalized as a writer, and which I whole-heartedly embraced when I was a teacher of writers. It’s interesting to me that when I switched my media from words to stitches, I had to learn about the power of choice all over again.

Franki’s Weekly Text Set: Books to Support Notebook Writing-Volume and Variety

Texts for this Text Set have been posted daily on Instagram. Follow @TextSets there to get daily updates!

There is nothing like kicking off notebook writing with young writers. I remember years ago, learning so much from Shelley Harwayne about the importance of “volume and variety”–how important it was for children to see all that is possible when launching notebook writing. So, the beginning of the school year in writing workshop means lots of invitations to try different kinds of writing-to fill your notebook with lots of different kinds of writing. This week, we’ll explore a set of books that invites writers to “give it a try”. I am adamant that these notebook lessons are always invitations and not have tos because a writer may have something pressing to write about. And by posing these as invitations, our writers can give things a try without a huge risk and see so many possibilities.

Mama and Mommy and Me in the Middle is definitely one of my favorite picture books of 2022. Wow! What a book! I love this one for writing workshop because it is the story of a little girl who misses her Mommy, who is a way on a business trip. I love to use early in launching writer’s notebooks because there are so many ways young writers can connect, so many ways they can “write off” of the book. This book will spark lots of family memories and feelings and this is a great introduction to the ways stories can do that for writers, how stories can be great ways to get your writing brain to remember something that’s happened in your life that you might want to write about.

No matter the grade I’ve taught, list writing is a favorite for so many young writers. The Me I Choose to Be (this year’s John Steptoe Award winner!) and Daddy Speaks Love (two more favorites of 2022!) are great invitations to list writing. These books seem to me like lists turned into a poetry/picture book. Writers can follow the repeated lines in each book to write their own lists or think of another topic to write a list about. I like these as mentors because for those writers who love lists, they can see that a simple list can become a beautiful picture book too!

Yes! The Most Magnificent Idea was released this week and is a sequel to The Most Magnificent Thing-! I love this new one for launching writers notebooks because it addresses the problem of days that you have NO IDEAS! This happens to all creators and it is something that comes up early in the school year for writers. Even though the main character is not a writer, she uses all the same strategies to get ideas for making as a writer does for writing. So lots to talk about and explore for days when you are stuck as a writer. So many reasons to use this new book!

Arab Arab All Year Long, Berry Song and Tuesday is Daddy’s Day is a set of books that is perfect for helping writers think about traditions that are important to them. These can be traditions that happen annually connected to a holiday or big event, they can be things you do with a family member or friend at certain times during the year or they can be things that you do daily or weekly-those daily traditions that make your days happy. These three books are great for talking about the various kinds of traditions we enjoy, the reasons for the traditions, and the people we enjoy them with. Great invitations for thinking a bit about those important traditions-big and small.

Notebook writing helps us slow down and notice things in greater detail. These two books are great ways to talk about the various ways to write descipritons. Mommy’s Hometown is a description of a place while Wait-and See is more of an observation in-the-moment, a close look at something happening. When we talk about descriptions or descriptive writing, I want my writers to see lots of examples–so I could see a whole text set on different ways or things that authors and illustrators describe. The act of a writer to slow down and notice and find those perfect words is easy to talk about when introduced as description. Young writers often have fun with this type of writing–so many possibilities!

This week’s books were linked at Bookelicious and/or Cover to Cover Children’s Bookstore. If you are looking for a fabulous local children’s bookstore to support, Cover to Cover is an amazing one. We are lucky to have them in Central Ohio! If you don’t have an independent children’s bookstore in your town, check out Bookelicious. They are an online independent bookstore for children with an incredible curated collection.

Franki’s Weekly Text Set-Mentor Texts in Writing: Introductions in Narrative Text

Texts for this Text Set have been posted daily on Instagram.

Follow @TextSets there to get daily updates!

This week, we’ll look at some great introductions in narrative text. When thinking about mentor texts, it is important for our students to be able to notice and name things and then to try new things in their own writing. I am a firm believer that studying introductions in narrative transfers to other genres. I worry that we are so tied to units of study that we don’t realize how much writing craft spans all types of writing. So this week, we’ll focus on narrative introductions but that doesn’t mean the craft moves learned can only be used in narrative writing.

Oge Mora is such an incredible writer and the way she introduces Saturday is definitely worth study and conversation. I’d consider the first four pages of this book the introduction. She uses great repeated language, used short phrases to set up the excitement and also gives us a bit of a clue as to what is to come. So many craft moves in such a short introduction. I like this one because sometimes students think the introduction is the first page by default but this book provides a good mentor on discussing which pages do serve as the introduction and discussing what an introduction to a story is. I’d say this is a 4 page introduction but am open to other thoughts. Understanding what an introduction is, is key for our writers so thinking about how much of the book is used to set up the story would make for a great mini lesson.

If you were at the Dublin Literacy Conference, you heard John Schu read the first page of Our Friend Hedgehog: The Story of Us aloud. I think these transitional chapter book authors are BRILLIANT at writing introductions. Because of the ways these authors support readers, the first page sets up the story. There is so much to discuss and try on this first page that I’d definitely include this book in a study of narrative introductions.

I love this introduction because it says so much in such a short paragraph. Sona Sharma, Very Good Big Sister? is a new series with the 2nd book coming soon. This introduction focuses more on setting but you learn a great deal about the main character by learning about where she lives. Such a visual is created by the words the author chose to begin with.

Mr. Watson’s Chickens is another fabulous picture book is another one that takes about 4 pages to set up. The last line of this introduction, “He started, like any sensible person, with 3.” gives the reader a bit of a clue as to what is coming as the story progresses. It is a great craft move for young writers to try out. This book also has the perfect amount of humor so writers who want to try writing something with a bit of humor can learn a great deal from this author.

Dragons in a Bag is a bit different from the others as Zetta Elliot begins by taking us right into the story–there is already a scene happening complete with some dialogue and as the reader we have to figure that out. This is a more sophisticated introduction for young writers to try and kids will have so much fun giving it a try–thinking about where in the story, they want to begin and how that might look.

Follow @TextSets on Instagram for daily books/weekly text sets!

Franki’s Weekly Text Set–Talking Bubbles in Informational Books

Texts for this Text Set have been posted daily on Instagram.

Follow @TextSets there to get daily updates!

Young writers love to use talking bubbles and to play around with humor and graphics in their writing. But there are a lot of craft moves that go along with doing that well. Young readers love informational books with humor and lots of text features but the format often makes it challenging to navigate without some instruction and practice. A focus on talking bubbles in informational text will help students focus in on a few ways talking bubbles can be used and how they enhance the book. By focusing in on this one small way talking bubbles are used effectively, readers and writers will approach them in new ways. This is a great mini-unit to do before winter break as it is focused and short but will also carry into other units later because of the close study of something so specific. And I am thinking most of these books are more in the category of informational than true nonfiction although the field of nonfiction is changing a bit.

There is so. much to learn about as readers and writers from this series. The format of the pages are filled with various text and features and navigating the page takes some intentionality. In The Truth About Bears, talking bubbles are used for both sharing important information AND to add side comments as humor. The author embeds both of these types of talking bubbles throughout the text. So you can’t ignore the talking bubbles and still get all of the information in the book. So much of the new information is being told to us by the animals themselves.

Arlo and Pips: King of the Birds is a great model for sharing information embedded in story. This entire story is told through a conversation between two birds. There is text other than talking bubbles but the dialogue tells most of the story with information embedded throughout. Sometimes the information is shared by one of the characters. At other times, we enjoy a story and realize we learned something about crows from the story. Lots of great craft moves in this one!

This is a favorite series for readers K-5. Such a fun way to share information. In each of these books, we get to know a bug or animal. We are introduced through text but the creature (The Cockroach in this example) interacts with us, the reader, thorough dialogue. It is a fun way to use dialogue and talking bubbles and this book makes this craft move visible for young writers so they can try it in their own writing. Since this is the 2nd book/series they will look at by author Elise Gravel, comparing what she does with dialogue would also be interesting.

There is a lot to study in Except Antarctica! The narrative is told through regular narrative and dialogue (and the talking bubbles are not actually in bubbles but talking is designated by a specific font which makes for a good discussion). The author uses these in a way to enhance the story, to give the characters personality. But not a lot of information happens in the dialogue–most happens in the main text. The humor is well done in this and children hoping to try humor can learn a lot from how this is done.

If you don’t know Look Up! Bird-Watching in Your Own Backyard, it is one that reader could spend hours with. There is so much information packed into this gem of a book and each page is worth study. I like this one because talking bubbles are used for so many reasons and in so many ways. Creating a chart of the ways and reasons the writer embedded talking bubbles and how each impacts the reading would be a great study. Then writers can decide if any of these ways make sense for their own writing. The combination of humans and birds that talk in this books is also worth exploring.

Franki’s Weekly Text Set-Launching the Writer’s Notebook

Texts for this Text Set have been posted daily on Instagram. Follow @TextSets there to get daily updates!

It’s the time of year where many of us are launching writer’s notebooks with our students. During these first weeks of writing, we want children to become confident writers, to find joy in writing and to see what’s possible. As a teacher my goal, thanks to the work of Shelley Harwayne has been on volume and variety. Over the years, I have relied on picture books to support this phase of the school year and I keep refreshing the set of books I use.

List writing is one of the best ways I’ve found to engage writers who have not had great experiences with writing. Creating lists is sometimes a great way for these writers to ease into writing. And let’s face it, list writing is part of every writer’s life. These books (I Wish You Knew, I Am Every Good Thing, What I Am, and My Heart Fills With Happiness) invite list writing by following the thread of the book. Reading one of these books and inviting students to make a list similar to what the author did is a good option for writers during those first days of workshop.

Writers often write about places they love. This set of books (My Casa is My Home, From My Window, and In My Mosque) does that but in three very different ways. For writers who struggle with a topic, place is something that gives lots of options. I have used these books along with the map in Ralph Fletcher’s Marshfield Dreams to think about writing and drawing about places that are important to us.

We want our students to learn from other writers and one way we do that is to play with mimicking or copying something a writer does-playing with it a bit. Guess Who, Haiku and Ribbit! both invite writers to Try it! Trying to write a riddle Haiku or trying to write a description with the 3 sentence part used so obviously in Ribbit! make for a fun day in writing workshop. This type of writing invitation encourages young writers to play with language-to have fun with it!

Writers use their senses and these two books help young writers see what is possible when they do that. Hello, Rain! is a poem in picture book format and the whole book describes a rainy day. Writers might think about describing something in a poetic way. And Listen reminds writers that sound is an important part of description.

So much of our writing revolves around people, especially those that we love. There are so many ways to show our love of the favorite people in our life though writing. Each of these 3 books– My Papi Has a Motorcycle, Not Enough Emilys in Hey World, Here I Am, and Your Mama–does this in different ways and each is accessible to young writers.