In Between

In Between by April Pulley Sayre with Jeff Sayre
Simon and Schuster, 2023
review copy from the public library

It’s been a minute since this blog has been anything except Poetry Friday, but last week I sat down with the March/April issue of The Horn Book and the Columbus Metropolitan Library app. As I read reviews, I reserved titles. The bounty has begun to come in, and I’ve got LOTS of great new books to share.

We’ll start with In Between. This is April’s last book. But even as a last, it is also an in between. An in between for her readers as well as for her husband and co-author, Jeff. In the dedication, April wrote, “For anyone walking the uncertain path between endings and new beginnings.” That would be all of us, all the time, right?

April’s photographs in this book are more stunning than usual, and paired perfectly with her words. She reassures us that it is perfectly normal to be in between, and although we (and the animals) are feeling awkward and not at all ready for what comes next, we “Grow stronger.”

And although “Paws may pause. Eyes may stare.” we’ll be okay, because, “…it’s only an in between.”

I can’t wait to read and discuss this book with my Kids Club kids!

Poetry Friday: Rhyming Fairy Tales

My work so far as the Kids Club Reading Specialist has been very peripheral, very fragmented. I’m at each site weekly, and I’ve met with students one-on-one or in small groups every other week…if we’re lucky and their parents don’t pick them up in the middle of a lesson or before we even get started.

I’m not complaining, but I AM looking forward to next week when schools are closed for two days following Martin Luther King, Jr. Day for a Professional Development Day and a Records Day. On Tuesday and Wednesday, 24 students will participate in all-day Kids Club, and I’ll have the opportunity to work with them as a whole group!

Tuesday will be Fairy Tale Day. We’ll start with TELLING STORIES WRONG by Gianni Rodari. This is the story of a grandfather who just can’t seem to tell the story of Little Red Riding Hood the way it’s supposed to be told. Clever readers will be able to figure out why. This book doesn’t rhyme, but it will lead us to others that do.

Next up, I’ll have some of the older students prepped to perform a poem from VERY SHORT FAIRY TALES TO READ TOGETHER by Mary Ann Hobermann. Then I’ll invite pairs of students to practice and perform a poem from one of the You Read To Me, I’ll Read To You books.

Finally, in the upcoming weeks when we’re back to the regular schedule, my read aloud with small groups and individuals will be…

…ENDLESSLY EVER AFTER: PICK YOUR PATH THE COUNTLESS FAIRY TALE ENDINGS by Laurel Snyder. This rhyming picture book is a tour de force of planning. I literally have no idea how she must have plotted this book so that the reader has SO many different paths to follow! And in RHYME, no less! I love that not all of the endings are happy and not all of the paths are long. Plus, Dan Santat’s illustrations are tons of fun! I can’t wait to explore this book with readers of all ages and see what they think. I’m not sure we’ll get much past read aloud in those sessions…and that’s just FINE!

This week’s Poetry Friday Roundup is hosted by Susan at Chicken Spaghetti.

And here’s the lowdown on the Poetry Sisters’ January Challenge: We chose the word TRANSFORMATION to guide our work throughout the year, and for January, we’re writing a CASCADE poem. The Cascade form takes every line from the first stanza of your poem and TRANSFORMS those lines into the final lines of each stanza thereafter. (The link helpfully creates a little form that shows you how easy this might be.) Beyond that, there are no additional rules. Long or short, free verse, sonnet, or sestina, find a way in which you can incorporate the idea (or word) transformation as you write. We’ll post our poems on the last Friday of the month (1/27/23). I hope you’ll join us!

Poetry Friday: Reconsidering Read Aloud…Again…Still

Hard to believe that it’s been TWENTY years since my book, Reconsidering Read-Aloud was published! And here I am, still a teacher (kinda-sorta) and still thinking about the power of the books I choose for read aloud.

As the reading specialist for an after school program, I no longer have a classroom of the same-aged students every day all day long. No more chapter book read alouds that span weeks/months with conversations that evolve as our experience with the book deepens.

Now I have K-5 students in small groups or one-on-one for 15-20 minutes once a week. I try to make sure I see every child at least once every two weeks. My lesson plans are required to address information standards, literature standards, and functional skills/fluency standards. These constraints have changed the way I choose my core read alouds.

I’m still learning, but here are some successes I’ve had, and my thinking around my choices.

I have established a pre-reading ritual for each read aloud. First we look at the front and back covers to see if the image spans across both covers. If there is a dust jacket, we check to see if the dust jacket image and the cover image are the same. Next, we look at the endpapers and think about the reasons behind this design element.

WAIT AND SEE by Helen Frost was my main read aloud in October. This book is an informational text that I’m calling “lyrical nonfiction.” It has photographic endpapers which, in the beginning, show a preying mantis hanging upside down on a spikey leaf with a light background. At the end, there is a preying mantis upright on a rounder leaf with a dark background. The conversations about the reasons behind these choices of images were fantastic! (Day/night, light/dark, colors, shapes, position, etc.) The photo-illustrations also prompted lots of conversation both during and after reading. We didn’t read the back matter, but I pointed out to every group that it was there to satisfy any curiosity you might have for more facts.

AUTUMNBLINGS by Douglas Florian and HALLOWEEN ABC by Eve Merriam were my backup literature choices. (I’d forgotten how dark Merriam’s poems are, but luckily kids are kind of into spooky, so it was all good.)

Are you noticing the trend towards poetry? I figure poetry is one of the least represented genres in the classroom and so it will have the greatest representation in my work!

There were a couple of other books that made an appearance in October and November. I fell in love with CHESTER VAN CHIME WHO FORGOT HOW TO RHYME by Avery Monsen and tried it out with a variety of ages. Fourth and fifth graders had a ball with Chester. I was surprised that the younger students weren’t able to provide the missing rhymes. I filed that tidbit and will be doing some focused work on rhyming in the upcoming months. ON A GOLD BLOOMING DAY by Buffy Silverman was a great rhyming photographic book to pair with WAIT AND SEE. I waited until later in the fall to start working with my Kindergarteners. I wanted to meet them and read with them before I gave them their letter identification assessment, so I chose Z IS FOR MOOSE by Kelly Bingham. It has a different image on its dust jacket and its cover, and the story starts before the title page. It begins predictably, but then Moose causes chaos (which the Kinders loved!)

But the absolute best read aloud so far, the one that stood up to multiple readings with all ages, the one that kept surprising me all the way to the last reading, was 12 DAYS OF KINDNESS by Irene Latham. This book has everything! Cover and dust jacket are the same, but we had a chance to discuss the Big Idea that’s on the back of the book (“Kindness is a gift.”) The end papers are different illustrations and foreshadow the story that’s found in the illustrations, and the arc of that story (morning to night). The story begins in the illustrations before the title page. The text has repetition and rhyme and is cumulative. It can be sung to “The 12 Days of Christmas,” and I had one group of 3/4/5 girls who did just that! All the way through! So fun! Without being didactic, Irene Latham shows the reader that there are lots of small ways to be kind to those around us. There is much to discover about the way the illustrator (Junghwa Park) contrasts the new text on the left page of each spread and the cumulative text on the right page of each spread. The illustrations tell a story that doesn’t match the text, but rather extends the meaning of the text. There’s lots to infer about the characters in the illustration’s story, plus so many fun details! I didn’t notice the kisses in the last spread until one of the final readings! This is the book I’ll use as my gold standard in choosing all future read alouds!

Karen has this week’s Poetry Friday roundup at Karen Edmisten*.


There was much to love about building a classroom community filled with mostly same-aged students and designing plans for daylong learning across all subject areas. Now, there is much to love about sitting side-by-side with one or two students at a time from across the grade levels and getting to know each as readers, writers, and fascinating human beings. Here are some random snippets from the first few weeks on the job:

3rd grader: “You know why I like science? It never ends.”

4th grader: “I like the Harry Potter books, but I kind of have a problem with J.K. Rowling’s stand on trans people. My cousin is trans.”

3rd grader: “The other reading teacher gave us lollipops if we were good.”
Me: “I’m not sure if I’m a lollipop kind of teacher.”
“That’s okay. You’re nice anyway.”

5th grader: “I always use ‘adieu’ as my first word in Wordle, but I don’t know what it means.” (a small French lesson ensued)

3rd grader: Making random words with Scrabble tiles: add…wood…one…to…make…a…bat… “No, that should be ‘add one wood to make a bat.’ This is like an equation! What do you call the person who makes a bat? This makes more sense: ‘add one wood carver to make a bat.’ “

2nd grader: “How do you spell ‘George?’ “
Me: “Your name’s not George; why do you want to spell that?”
“George was the husband of Beatrice, a WWII engineer who could fix anything.” (Likely this book, and no surprise: he likes to read informational text.)

4th grader: “I learned a new word today: toey. T-O-E-Y. When I play Words With Friends, I always check to see what I could have played for more points. Toey would have been worth 48 points.”
Me: “What do you think toey means? If something is juicy, it’s full of juice. Do you think toey means full of toes? (laughter) Let’s look it up.”
(Amazement when I open the Merriam Webster app from the first screen on my phone. But it wasn’t there! So I opened a web browser and demonstrated the “define ___” search and we found it. Toey means nervous, anxious, worried.)
Me: “I hope the rest of your day isn’t toey!”

Getting Ready For the Unknown

Next week I begin a new part time job that seems like it will be a better fit for my skillset than washing dishes at Sur la Table: I’m the Reading Specialist for the Clintonville Resource Center’s Kids Clubs, their after school program. There are three sites, and I’ll spend about two hours a week at each site working to help K-5 children become better readers (and writers).

I know exactly what to do, and yet I have no idea what I’m doing.

I have no classroom to prepare, no classroom library from which to easily pull books, no real context for the work we will do or real influence outside of the bits of time we will spend together.

If it was true as a classroom teacher, it is even more true now: I have to make every minute count. Guess what I’m planning to use as short texts that are brimming with all kinds of instructional moves for students of all ages? POETRY, of course! And because poetry is often neglected in the regular classroom, that is where I hope to find my opportunity for context and influence.

Just like in the classroom, we will begin by getting to know each other. We’ll start by sharing our favorites — favorite foods, favorite things to do, favorite (and maybe not so favorite) ways to feel.

We’ll talk and read and draw and write. I’ll listen, ask, and notice. All very good places to begin, even when you think you have no idea what you’re doing.